North Wall Windows (to the right as you face the communion table) The two small windows opposite the organ are appropriately musical in theme. One shows Miriam with cymbals, and the other shows David playing a small harp. The depth of colour is not so striking as in the other windows.
The six Arlosh Windows (given in memory of Godfrey Arlosh, who died in 1890) represent the biblical myth of the Six Days of Creation, depicted by red-robed angels, with the flame of creative energy about their heads, holding globes, in each of which the fresh creation of the day is represented. The model for the angels was reputedly May Morris, daughter of William Morris. As the creation unfolds, so does the wealth of detail and colour increase. Incorporated in the design is a verse from the ‘Rhyme of the Ancient Mariner’ by Samuel Taylor Coleridge (who was at one time a Unitarian minister):
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He prayeth well, who loveth well
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Both man and bird and beast.
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He prayeth best, who loveth best
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All things both great and small;
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For the dear God who loveth us,
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He made and loveth all.
A very Unitarian sentiment – as is the repeated motto from Diderot: Elargissez Dieu (roughly translated as ‘Make God bigger’, or ‘Open your mind to expand your concept of the Divine’).
South Wall Windows (to the left as you face the communion table) A series of symbolic figures, each with an appropriate text of scripture below.
| Justice bearing a sword in one hand and scales in the other |
| Humility in robes of delicate grey and pink |
| Generosity in the person of St Martin, dividing his cloak to share with a beggar |
| Courage is portrayed as a soldier with shield and spear |
| Charity appears in the form of the Good Samaritan tending the wounded traveller |
| Mercy a woman in blue, is clothing the destitute |
| Prayer is a figure wearing a priestly vestment |
| Inspiration in a green robe, writes in a book with a white dove, symbolising the Holy Spirit, on her shoulder |
| Faith joins hand with God (up in the clouds!) |
| Prophecy is represented by the character of Elijah |
The West Window (above the communion table) Ten figures, representing Jesus, Mary his mother, Joseph, Mary Magdalene, the apostles Peter and Paul, and the four Evangelists (Matthew, Mark, Luke, and John).
The East Window (at the back of the Chapel) Three central figures typify Truth, Liberty, Religion (the motto of the college), with an angel in each of the side-lights, and five scenes from the life of Jesus below.
A detailed account of the stained glass windows is printed in a booklet by Alan Middleton on sale in the College Office.
